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滕泰 首饰设计 硕预(0/0)

2020-05-29
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孙诗茹 首饰设计 本预
王睿 首饰设计 本预

My art practice is using visual language to discuss some social phenomenon or to explore what jewellery is in contemporary context. For example, in my recent work The Price, I discuss an abnormal and uncontrolled phenomenon to the increase in price of the epidemic prevention products. I protrude the violence premium prominently with an exaggerated artistic technique. The material is based on the same view by using virus of low density and expandable foam; by dyeing, expanding, shaping and solidifying, I combine the foam and the prevention products together to receive the expected visual effect.

Secondly, in the series of The Ruins, I hope to break the inherent view of jewellery wearing with a jewellery piece that do not be expected to be worn. By maintaining the fragility of cement, the cement block will be abraded while the wearer pick it up or mean to wear it, which achieve the effect above.
 

我的艺术实践是在使用视觉语言来讨论一些社会现象或探索。比如在最近的作品《价格》中,讨论了疫情期间畸形的不受控制的防疫用品涨价现象。通过夸张的艺术手法来凸显这些产品的暴力溢价。材料上也基于这个观点,使用了多种低密度与可膨胀性的泡沫作为材料;并通过染色、发泡、定型、固化等方式使其与防疫用品结合,来得到预期的视觉效果。

其次,在《废墟》系列里我希望打破人们对于首饰佩戴的固有思维,相反的来创造并不希望被佩戴的作品。通过保持水泥的脆弱性使佩戴者拿起或者意图佩戴的时候会磨损掉水泥的方式来达到上述效果。

 

 

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  • Bless on the street corner 街角的祝福 2014

    Leaky 陈力祺 “One could have many pets in a lifetime, but a pet may only have one owner.” Through my video I wish to bring public attention and awareness to the issues of stray animals, in order to initiate discussion, movement and action on how to protect t...

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  • Shanghai Series 上海系列 2011

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  • Indigo蓝染

    Yang Guang 杨光,I have researched the traditional craft of ‘indigo’ which is still being practiced in small areas. After experiencing different methods of indigo I have come to realize its appeal and attraction and produced interesting indigo ...

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