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刘泽民 建筑设计 本科预科(0/0)



王懿杨 室内设计 本科预科
周怡希 时尚管理 本预


在学习建筑设计的过程中,我认识到不同人群对于建筑的需求和定义是不一样的,同样建筑也需要兼顾时代的需求来变化。作品《Breathing Space》。先期我通过调查CBD人群当下生活的态度和工作、生活等需求,最后结合当下才全球疫情因素。我希望可以使建筑形式更加多样化,而不是单一的形势。通过这几年的一些亲身经历,现在的建筑设计,一部分人群不愿去做创意性的变革,而是在大环境下去进行单一的复制。单纯的钢架、玻璃大楼,同时给人造成很大的视觉疲劳。使艺术进步缓慢。




对我而言,建筑设计最大的乐趣是在过程的调研。留意日常生活中的细节,关注时代的变化和需求,留意周围的人、事、物…… 并思考自己的观点,抓住灵感的出现,同时把自己代入其中,最后确定将自己的想法实现。




I like to make the building close to the natural life, and then into their own and the people around the experience of architectural design.

In the process of learning architectural design, I realize that the needs and definitions of architecture are different among different people, and the same architecture also needs to take into account the needs of the times to change. Breathing Space》. of Works By investigating the attitude and work and life needs of CBD people, I finally combined the global epidemic factors. I hope that the form of architecture can be more diversified than a single situation. Through some personal experiences in recent years, some people do not want to make creative changes, but to make a single copy in the general environment. Simple steel frame, glass building, at the same time cause great visual fatigue. Make art progress slow.

One of the books I've read, The 100 Possibilities of Future Architecture, changed many of my traditional ideas. Before I, also will only simply single copy, modify other people's buildings. Not good at creating their own things. Now I should boldly seek more breakthroughs, in this ordinary single architectural environment, so that people can see more possibilities of architecture.

In my opinion, contemporary architectural design as a social development, the bearing of human needs can be explained some of my views, but my design is no longer limited to the definition of traditional architecture. Therefore, my art design is to explore more social phenomena and modern architecture under the basic concept and demand. Considering that architecture is also rigorous, I think every part of architecture should be considered comprehensively. The various types of materials I use in my work and the design of the surrounding landscape are fully combined with various needs.

My work not only discusses the needs of people and the factors of the surrounding environment, but also considers what kind of building can make people more safe and better relaxed in a tense environment. So I used indoor greening landscape, so that vegetation can better release oxygen, and through a large number of glass transparent, into the sun. Also can in the crowded environment, very convenient to come outside to breathe fresh air.

For me, the greatest pleasure in architectural design is in process research. Pay attention to the details of daily life, pay attention to the changes and needs of the times, pay attention to the people, things, things around... And think about their own views, grasp the emergence of inspiration, at the same time put themselves into it, and finally determine their own ideas to achieve.

The charm of contemporary architecture lies in eternity, which is not only material but also spiritual. No matter concept, technique, material or local culture application, should be without limitation. I do not like certain types of work fixed in the present, it should be pure, true, unreserved expression of my current interests, emotions and views. Such as the work "home of Nakano town ", not people-oriented architecture is not a good building. The emotion that human beings place on architecture greatly affects the design of architecture, does not fully consider the human factor, according to their own mind design, in a sense can be said to be a failed work. Therefore, I make the building indoor and outdoor fully combined with people to express the understanding of the building.

I should pay attention to the power of thought, look at architecture in the future, break the traditional mode, combine the needs of people, environment, social and so on skillfully, give people a new experience. Do the design that human needs, do the design that oneself likes.


  • Tree House

    James郭子舟The inspiration of Tree House came from the idea how to build a unit of tree houses for tourists when I visited the Tai Lake Wetland of my hometown located in Jiang Su Province. ...

    Interior Design
  • Praying偈

    Pan Pan 潘盼I tried to create jewellery as a story or a poem. I traveled alone around China for 10 months to experience the essences of Chinese traditional culture such as architecture, crafts, and music, and finally realized that through traveling...

  • 《Colour》《Rain》


  • Emotional Quotient 情商 2014

    Celia 张羽 Exchange of emotions is the most important form of interaction between people. Whether at work, in school or in everyday life, you communicate your emotions with others through language, tone of voice, your eyes and even hand gestures. ...

  • Be with you 伴 Covertures 护 2014

    Penny 彭昱冰 I am inspired by the unique characteristics and aesthetics of sea anemone, and often imagine the mysterious and tranquil lives under the sea. I create my jewellery collection with shapes and colours that resembles the enchanted beings...

  • 它不会改变

    王东昊把一个房间放满了中国的政治标语。人们对这个空间给出了各种各样的答案。 但是对我而言,这些标语代表了“体制”,并时刻被它们包围。我们总有一种幻想,觉得高墙之外就会有自由。...

    Fine Art
  • 李欣蓉 首饰设计 本预


  • A visual identity for my own brand EG

    Jenny黄嘉怡 I prefer the print work with single color and handicraft work. My first project is to make a poster for a famous brand, and I chose my favorite brand, CONVERSE....

    Visual Communication
  • 马韫祺 首饰设计 本预


  • Lane 巷子 2014

    Amanda 王竺伊 Tianzifang, a tourist attraction in Shanghai, left a deep impression on me. The red brick houses, colourful shops, unique windowsills, and the old style windows. ...

  • 李美妍 首饰设计 本预

    我是一个不喜欢循规蹈矩的人,所以在我的生活中,我喜欢去打破常规或者换一个角度去思考问题。这一点充分的表现在了我的作品《Obsessive compulsive disorder》中。...

  • Louis Keiflin 动画设计 作品集


    portfolioAnimation design
  • 于佳鑫首饰设计作品集

    获得伯明翰城市大学珠宝学院首饰设计和相关产品设计本科OFFER 和伦敦艺术大学预科OFFER...

  • Untitled无题

    Gu Zhe 顾喆 I see jewellery as poetry. They are both unique and expressive of personal experiences and subtle feelings from our hearts, as if striking a chord without any words....

  • Secret Space 秘境

    Chen Xiaoyi 陈小艺 Jewellery is my faith. It not only carries our emotions, thoughts, experiences and memories, but also gives us power, courage and confidence. It could even be a hiding ‘place’, or a companion to rely on. ...

  • City!City? 城市 2012

    CHEN Siyu 陈思宇 In my work I want to express the rapid development of society. Urban construction is developing faster and faster and as a consequence, people in the cities appear to be losing themselves....

    Moving Image
  • 邹淇羽 首饰设计 硕预


  • Cat House

    MengLing王梦玲interior design decides the quality of people’s lives and the productivity of their work by the way of space arrangement. My works focus on the interaction between inhabitants and their living environment....

    Interior Design
  • “糖果色”与“快时尚品牌“

    Gu Xinying 顾欣颖:我的研究核心是去探索什么样的产品能更受到消费者的欢迎,并据此推测出未来的流行趋势。通过不断的学习与理解,我相信时尚产业应该更加关注用户的行为模式,用户审美...

    Fashion Management
  • 可穿戴设备未来五年在中国的发展前景

    Jin Xinyi金心怡,My research aims to give an in-depth analysis of its background, markets, design trends, and also the different needs and desires from target users such as pet owners, travelers, sanitation workers and female evening runners....

    Design Management
  • Bless on the street corner 街角的祝福 2014

    Leaky 陈力祺 “One could have many pets in a lifetime, but a pet may only have one owner.” Through my video I wish to bring public attention and awareness to the issues of stray animals, in order to initiate discussion, movement and action on how to protect t...

    Visual Communication
  • Mirror, Mirror on the Wall 墙上的魔镜 2010

    CHEN Junyi 陈骏一 I am working with the imagery of fireworks and mirrors in my piece. By doing so, I try to express that although there are a lot of things going on in a person’s life, it is still important to remember who one is. ...

  • Fold 折·哲 2014

    Coco 陈盼盼 My design inspiration comes from the art of origami – paper folding. In search of a new way to create DIY products, I alter people’s understanding of traditional mass production, and replace it with an intimate hands-on experience....

    Product Design
  • 沈苏皖 视觉传达 本预


    Visual Communication
  • 唐舒然 首饰设计 本预


  • 手指餐具


  • Motherhood母爱

    Han Yifei 韩逸飞 I wish my work could be understood and appreciated by others, and to evoke empathy in some cases. ...

  • A 100 Year Vision for SuHe River苏州河文化

    Natha Wang王梦瑶My project analyses in depth the economics and historic culture of Suzhou Creek. The concept of ‘growth’ which derives from the characteristics of a ‘broad bean’ has underpinned the return of culture, business, space and ecology, ...

  • 杨滢 时尚商务及推广 本预


    fashion business & promotion
  • Sims 罪 2014

    Joyce 阮圆 Seven deadly sins represent corrupted emotions that grow from the heart, and I choose to use fractals and the human body to depict the abstract concepts of the seven sins....

  • Decay of Space 时空衰变 2012

    ZHANG Hangyuan张航媛 I try to convey the similarity between mold and social outcasts, such as drug addicts. The first reaction people tend to have to mold is to try to get rid of it, so when people see my work at first they might feel uncomfortable and want ...

  • 洪树熹 首饰设计 本预