陆钇服装设计本预(0/0)

2020-05-29

5秒

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Fashion designer is an occupation that needs imagination and passion, while fashion design is a form of expression using structure, silhouette, fabric, texture and other different aspects as technique to express one’s feelings and ideas to the audiences.

Holiday Lu was inspired by a film called <Midnight in Paris>. The scene in the movie is her dream city. She felt the wisdom of the end of the 19th century, which has not only a deep history but also has an artistic background. Therefore, in terms of structure, she did not use common structures, but trying to make certain innovations, such as getting rid of the shackles of long skirts that a feeling between dresses and ordinary skirts. She found the costume and the different areas about Paris. She deeply felt the breath of that era and thought to express it in a novel way, not in a cumbersome way, but in minimalistic ways.

In the collection of <Comedy>, she was inspired by the comedy movies and variety shows, which made her feel bitter. Therefore, she thought about the true meaning of comedy from another angle and tried to explore the aspects that people ignore in life. She researched the clothing of the 1930s. The dresses of the upper-class figures and the materials worn by the lower-class figures are very sophisticated. And the inspiration of the silhouettes is from the actions, performances, and props of the comedy movies.

In these works, she hopes that the audience can know the reasons why things happen. More importantly, the audiences can find many details and things around them and start to think from the other side. The spiritual level is where we often ignore.

服装设计师是一个需要想象和激情的职业。服装设计是一种尝试使用结构，轮廓，面料，质地和其他不同方面向观众表达感觉和想法的形式。

陆钇的灵感来自一部名为《巴黎午夜》（Midnight in Paris）的电影。电影里的场景就是她的梦想之城。她在19世纪末期其中感受到了世俗的智慧，这不仅具有悠久的历史，而且具有艺术背景。因此，在结构上，她没有使用当时的服装，而是进行了一些创新，例如摆脱了长裙的束缚，这种束缚使裙子和普通裙之间变得不一样。她找到了巴黎附近的服装和不同地区，深刻地感受到了那个时代的气息，并想以一种新颖的方式来表达它，不是以繁琐的方式，而是以简约的方式。

在<喜剧>的系列中，她受到喜剧电影和综艺节目的启发，她从这些节目中感受到了辛酸。因此，她从另一个角度思考了喜剧的真正含义，并探讨了人们生活中忽略的方面。她调研了1930年代的服装。上层人物的着装和底层人物所穿的材料是非常精致的。她又从喜剧电影的动作，表演和道具中衍生出服装的轮廓。

她希望在这些作品中，观众能够理解事情发生的原因。更重要的是，观众可以观察到周围许多细节和事物，并想到另一面。精神层面，是我们经常忽略的。

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